http://www.lensociety.com/water-paint/

House painting | documenting advances in coatings through the years
As trained architects take residential coatings and paints for granted as a way to decorate our homes and protect surfaces against drying, rot, and the elements. Yet this seemingly simple product has a long, fascinating history – much too long and fascinating to summarize in just one essay. However, a short history of paint can be just as fascinating as the long version. In that spirit, the writers of this brief article submit and present a few images and words relating to and details of house paint’s evolution in order to heighten your appreciation of it, and to provide some perspective on humans’ need to secure and beautify their dwelling places.
In the beginning, cavemen would mix certain substances with animal fat to create paint; they would then use the paint to draw pictures and add colors on their walls. Red and yellow ochre, hematite, manganese oxide, and charcoal were all employed as color elements. Ancient Egyptian painters mixed an oil or fat base with color elements like semiprecious stones, ground glass, earth, animal blood, or lead around 3150 B.C. These ancient peoples preferred black, white, red, blue, green, and yellow. At the turn of the 14th century, house painters in England created guilds, which established standards for the profession and kept trade secrets under lock and key. By the 17th century, technology and new practices in house paint grew.
In this time of constantly documented celebrity misconduct, some may not even remember what modesty was. In the 17th, the Pilgrims, who populated the American colonies, thoughts that modesty was the avoidance of all displays of wealth, joy, or vanity. Painting one’s house was considered highly immodest, and even sacrilegious. In 1630, a rebellious Charlestown preacher decorated his house’s interior with paint and was thus brought up on criminal charges of sacrilege.
Even colonial Puritanism, however, failed to silence the demand for house paint. Anonymous authors wrote “cookbooks” that offered recipes for various kinds and colors of paint. One popular process, known as the Dutch method, combined lime and ground oyster shells to make a white wash, to which iron or copper oxide – for red or green color, respectively – could be added. These Colonial paint “cooks” often used food items like egg whites, milk, rice, and coffee.
From the 17th century until the 19th, oil and water were the primary bases for paint production. Each held certain colors better than others, and there were differences in cost and durability between them, too. Ceilings and plaster walls generally called for water paints, while joinery demanded oils. Often times, homeowners would request walls that looked like marble, wood, or bronze and ceilings that looked like a blue sky with fat white clouds. Painters of this period would fulfill these requests. Even in 1638, a historic home named “Ham House” in Surrey, England, was renovated.
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Seattle house painting
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Beautiful Water Painting
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